Language Arts Class Descriptions

Put two things that come naturally to teens- argument and empathy- to work! In this introductory debate class, middle school students learn to turn strong opinions into logical, well-supported arguments while considering perspectives beyond their own. Through lively discussions of topics relevant to teens, students identify pros and cons, organize their ideas into persuasive points, and practice expressing themselves clearly and confidently. Topics will steer clear of polarizing political themes to keep the focus on reasoning, communication, and respectful disagreement.

Students will practice debating both sides of an issue, regardless of their personal beliefs. Along the way, they will learn to listen closely, ask thoughtful questions, respond to opposing points, and challenge an idea while respecting the person presenting it. With practice, students will strengthen their communication skills and discover that understanding another viewpoint can help them build a stronger argument of their own. No debate experience is necessary, just curiosity and a willingness to speak up!

Best Books for Boys is a book club just for preteen boys. Each quarter, students read one standout novel and spend class time going deeper. Boys act out scenes, debate what characters should have done differently, write sequel pitches or alternate endings, and explore the real-world connections behind the story. Through conversation and guided activities, students begin to read more closely, noticing how authors develop characters, build suspense, and make deliberate choices about how a story unfolds.

Each quarter, one book is the teacher's selection and a second book is chosen by the class from a short, approved list. Students read assigned chapters at home and come to class prepared to share their reflections and discuss the books. All books are selected from Newbery Medalists and Honor Books, Caldecott Medal titles, Parents' Choice Award winners, and proven classics of children's fiction.
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This year's themes and teacher's choice books: Quarter 1: Ingenuity (The First State of Being by Erin Entrada Kelly, 2025 Newbery Medal); Quarter 2: Courage (Freewater by Amina Luqman-Dawson, 2024 Newbery Medal); Quarter 3: Determination (When You Reach Me by Rebecca Stead, 2010 Newbery Medal); and Quarter 4: Curiosity (The Eyes and the Impossible by Dave Eggers, 2024 Newbery Medal).

Level: This class is designed for 5th and 6th graders. 4th grade students reading above grade level are welcome.

Novels: The cost of a new, mass-market paperback edition of the first book title is included in the class tuition. Parents are responsible for buying or borrowing a copy of the second book from the library, once selected.

What to Bring: Current novel, paper, pen or pencil, and a highlighter. Sticky notes or adhesive flags are helpful for marking key moments.

Can your child sit in a circle for story time? Line up for lunch? Take turns talking? This one-day, 3-hour (half-day) program is a "taste" of kindergarten for 5- year-olds. Start your child's week off right with "Mornings with Miss M" at Compass Kindergarten. Children will work in a small group with an experienced early elementary educator for this dynamic, play-based program that offers regular interaction and socialization.

This fun, activity-based program will create rhythm and routine in a homeschooled kindergartner's week and give them a sense of community and a peer group. Children will practice routines and transitions as they move through the morning. Each session will include some simple structure such as a daily arrival song/greeting, circle time, story, snack time, activity, lunch, active game, and closing/goodbyes. Through games and activities, they will also practice key childhood social skills such as sharing, taking turns, and entering play with others. Academic basics such as the ABCs, days of the week, colors, shapes, and number sense will be integrated into activities involving fairy tales, nature and art. The teacher will provide ideas for parents to work on at home with their child during the week.

Compass Kindergarten is offered in three weekly sessions: Monday, Wednesday, or Friday. Registration is stand-alone for each day so parents can register for one, two, or all three. While each kindergarten class will give children the opportunities for learning and playing in a social environment along with classroom routines, each of the three days will focus on a particular area of study and discovery of how each is connected.

On Mondays, the focus will be on Language Arts where students will be exposed to folktales, seasonal stories, and classic favorites while also practicing some foundational language arts skills. The stories read in class will be used as inspiration to connect aspects of literacy such as comprehension, comparing similar/different, recalling sequences, and predicting outcomes. The Alphabet Book will be used as as "spine" to spark discussions on capital and lower case letter forms, initial letter sounds, blends, vowel sounds, rhyming words, and other pre-phonics skills. The language arts-themed kindergarten session is intended to enhance and clarify literacy skills being introduced at home, but is not a comprehensive reading curriculum.

Readiness: Students must be age five (5) by the start of the program or have the teacher's approval for younger. To be successful in this program, entering kindergartners must be able to do the following preschool-level skills: (1) be able to separate from parents with little discomfort; (2) be able to sit and listen to a story or stay on a task for 10 minutes; (3) be able to follow simple, age-appropriate directions from the teacher or another adult; (4) be able to write and recognize his/her first name; (5) be able to hold and use crayons and scissors correctly; (6) be completely self sufficient in a public restroom (wiping, flushing, washing hands, etc.)

Other Notes: Children should bring a bagged lunch and water bottle to each session. There is a $50.00 material fee for class consumables due payable to the teacher on the first day of class.

Parents can choose to drop children off for this program (different than Compass's school-year policies for 55 minute classes.)

Registration for this program is by 16-week semester.

Parents who are shopping around or applying to alternate kindergarten programs should review the Compass withdrawal policy.

Middle school students will continue building their critical thinking skills with a focus on reading comprehension, research, and debate. Students will define and practice the skills of critical thinking: researching, sorting information for a variety of purposes, identifying underlying assumptions, defining terms, evaluating evidence, considering opposing points of view, and spotting classic logical fallacies.

In this semester, students will present opinions and consider dilemmas and claims drawn from a wide range of topics including history, law, and contemporary issues. Students will learn to ask: Is this a good argument? Is it well constructed and convincing? They will discover how to break a whole concept into its component parts to formulate and build clear, compelling arguments.
The semester will build toward a debate in the Lincoln-Douglas format. Students will choose a contemporary question, research arguments for both sides, and develop and deliver speeches for their assigned positions.

Students should expect to spend an average of two hours per week on reading and short written responses. Topics in this series include Critical Thinking Through Short Stories (Semester 1) and Critical Thinking Through Non-Fiction (Semester 2).

In Cover-to-Cover, middle school-aged students will read renowned classics and award-winning young adult literature. This book discussion group will examine a different theme each quarter to introduce students to literary analysis. Students will read, examine, and compare two full-length novels that share similar themes through facilitated discussions and extension activities which encourage students to make personal connections to what is read. The group will evaluate themes, characters, setting, and writing style.

Third quarter, students will study the genre of Dystopian Literature with The Lord of the Flies by William Golding and The Hunger Games by Suzanne Collins.

Assigned chapters are expected to be read at home, either as read-aloud, individual silent reading, or listening to the unabridged audiobook. Students should come to class prepared to discuss the reading. Classroom discussions will emphasize the use of textual evidence when explaining thoughts and opinions. Students will be assigned creative, short assignments to enhance and demonstrate their understanding of each novel such as quote explications, thematic questions, or imagining a conversation between characters from different books.

Topics in this Series: Science Fiction (Quarter 1); Animal Tales (Quarter 2); Dystopian (Quarter 3); and Mystery & Detective (Quarter 4).

Textbook/Materials: The cost of new, mass market paperback editions are included in class tuition because students need clean copies for annotation and must be able to reference identical page numbering.

Supply Fee: Included

What to Bring: Students should bring the current novel, paper, pen or pencil and highlighter to class each week. Some students may wish to bring paper clips, adhesive flags or post-it notes for marking pages.

Children are full of stories and bubbling over with big ideas! In this class, students will learn how to capture their creative vision into a simple story that they will write and illustrate. This quarter, our storytellers will imagine time machine travel. Will they spring forward to a far-flung, fantasy future or backward to behold bewildering bygones?

Students will learn how to build a Story Arc through guided, weekly activities. They will discover the key elements to composing a story such as crafting characters, posing a problem, advancing the action, constructing the climax, and writing the resolution- through brainstorming questions like, "Who is in your story?", "Where does this take place?", "What does that look like?" and "What happened after ____?"

Students should be able to read, write, and spell at the second grade level or higher for this class. Psst- don't tell your child, but this class helps lay the foundation in language arts for more advanced creative writing and composition. Pair this class with Acting: Kids Theater or Writing Wonders to further encourage communication and storytelling skills. The supply fee is included in the class tuition.

Topics in this series: Great Race (Quarter 1), Mythical Mountain (Quarter 2), Time Machine (Quarter 3), and Fantastical Forest (Quarter 4).

This British Literature course focuses on developing critical reading and writing skills through the study of both canonical and postcolonial texts written in English. Drawing from a range of genres, time periods, and geographical regions, students will encounter diverse voices and perspectives.

Literature: Third quarter will explore the Romanticism movement in England through Frankenstein by Mary Shelley and other writings of the period.

Writing Lab: An essential component of this course will be an in-class Writing Lab. Students in this class should have mastered the basics of academic writing, such as constructing a thesis statement, organizing their thoughts with effective topic sentences and transition statements. Students will learn to write critical response papers and a complete literary analysis essay including how to support their ideas with textual evidence, organize a logical argument, and cite sources in MLA format. Over the course of the year, students will develop familiarity with a variety of writing styles and forms including rhetorical analysis, literary analysis, critical response, close reading, opinion essay, and personal essay.

Prerequisites: Students taking this class should have an understanding of the types of literature (from Intro to Genres). Students are expected to take an active role in discussion and complete all writing assignments.

Topics in this Series: Anglo-Saxon (Quarter 1), Elizabethan (Quarter 2), Roamticism (Quarter 3), and Regency (Quarter 4).

Class Meetings: There will be two weekly, in-person class meetings: Tuesdays and Fridays.

Workload: Students should expect to spend 2-3 hours per week outside of class.

Assignments: All assignments will be posted in a Google Classroom management site. Students will need their own gmail accounts to access Google Classroom.

Assessments: Students' written assignments will be graded using a rubric and assigned points that the homeschool parent can use when assigning an overall class grade.

Textbooks/Materials: Students will use clean, inexpensive copies of each novel for annotation and must be able to reference passages using consistent page numbers. Copies of the mass market paperback edition(s) is included in the class tuition.

Supply Fee: Included

What to Bring: Students should bring the current literature, paper, pen or pencil and highlighter to class each week. Some students may wish to bring paper clips, adhesive flags or post-it notes for marking passages/pages. Students should also bring a laptop to class one day per week for in-class writing.

Credit: Homeschool families may wish to count this course as a partial credit (one quarter) or full credit (all four quarters) in English for purposes of a high school transcript.

This American Literature course is designed to prepare students for college-level academic writing. Students will strengthen their critical reading and textual analysis skills by examining the concept of the American Dream and exploring what it means to be American through texts spanning the 18th century to the present. Throughout the course, students will read and respond in writing to both fiction and nonfiction works. Written assignments will emphasize rhetorical analysis, with a focus on subject, purpose, and audience.

Literature: Third quarter will explore the themes of Voice and Identity in the Harlem Renaissance through Their Eyes Were Watching God by Zora Neale Hurston and other selections from the period.

Writing Lab: An essential component of this course will be an in-class Writing Lab. Students in this class should have mastered the basics of academic writing, such as constructing a thesis statement, organizing their thoughts with effective topic sentences and transition statements. This class will strengthen students' textual analysis skills with an emphasis on rhetorical analysis- the study of how a text creates meaning. Over the course of the year, students will develop familiarity with a variety of writing styles and forms including rhetorical analysis, literary analysis, critical response, close reading, opinion essay, and personal essay.

Prerequisites: Students taking this class should have an understanding of the types of literature (from Intro to Genres) and successful completion of British Literature (or equivalent). Students are expected to take an active role in discussion and complete all writing assignments.

Topics in this Series: Freedoms & Foundations (Quarter 10), Promise & Illusion (Quarter 2), Voice & Identity (Quarter 3), and War & Memory (Quarter 4).

Class Meetings: There will be two weekly, in-person class meetings: Tuesdays and Fridays.

Workload: Students should expect to spend 2-3 hours per week outside of class.

Assignments: All assignments will be posted in a Google Classroom management site. Students will need their own gmail accounts to access Google Classroom.

Assessments: Students' written assignments will be graded using a rubric and assigned points that the homeschool parent can use when assigning an overall class grade.

Textbooks/Materials: The cost of new, mass market paperback editions are included in class tuition because students need clean copies for annotation and must be able to reference identical page numbering.

Supply Fee: Included

What to Bring: Students should bring the current literature, paper, pen or pencil and highlighter to class each week. Some students may wish to bring paper clips, adhesive flags or post-it notes for marking passages/pages. Students should also bring a laptop to class one day per week for in-class writing.

Credit: Homeschool families may wish to count this course as a partial credit (one quarter) or full credit (all four quarters) in English for purposes of a high school transcript.

AP students are required to register for all four quarters of Compass's World Literature AND the AP World Literature: Extended Coursework activity which covers differentiated assignments, additional instruction, and feedback on AP-style writing and test preparation.

In this Senior English course, students will engage deeply with World Literature while developing advanced literary analysis skills. Students will read a diverse body of global literature to identify symbolism, imagery, recurring themes and to develop an understanding of the narrative perspectives used. Through these works, the class will also examine the cultural, social, and historical contexts that shaped literature across different regions and time periods.

This course can be taken-on level or at the Advanced Placement (AP) level which will introduce college-level analytical writing and prepare the student for the AP Literature and Composition exam. AP students must also register for the Extended Coursework option.

Literature: Third quarter will examine the theme of Conformity and Courage through works such as Jane Eyre by Charlotte Bronte and A Doll's House by Henrik Ibsen.

Composition: An essential component of this course will be an in-class Writing Lab. Students in this class should have mastered the basics of academic writing, such as constructing a thesis statement, organizing their thoughts with effective topic sentences and transition statements. This class will strengthen students' textual analysis skills with an emphasis on rhetorical analysis- the study of how a text creates meaning. Over the course of the year, students will develop familiarity with a variety of writing styles and forms including rhetorical analysis, literary analysis, critical response, close reading, opinion essay, and personal essay.

Topics in this Series: Fate & Free Will (Quarter 1), Culture & Conflict (Quater 2), Conformity & Courage (Quarter 3), Power & Prejudice (Quarter 4).

Prerequisites: Successful completion of year-long coursework in British and American Literature or the equivalent.

Class Meetings: There will be two weekly, in-person class meetings: Tuesdays and Fridays.

Levels: Two levels meet together: On-Level and Advanced Placement (AP). AP requires additional reading, writing, and AP skills practice. All students register online for the same course. AP students are required to also register for the AP World Literature: Extended Coursework activity which covers differentiated assignments, additional instruction, and feedback on AP-style writing and test preparation. Once the course begins, students may move down a level (from AP to On-Level) at any time, but may not "bump up." Students taking the AP level may designate the course as SP on their transcript and add one quality point when calculating their GPA.

Workload: On-level students should expect to spend 2-3 hours per week outside of class. AP students should expect to spend 4-5 hours per week.

Assignments: All assignments will be posted in a Google Classroom management site. Students will need their own gmail accounts to access Google Classroom.

Assessments: Students' written assignments will be graded using a rubric and assigned points that the homeschool parent can use when assigning an overall class grade.

AP Testing: The AP English Literature and Composition exam fee (May 2027) is not included in tuition. Families are responsible for registering and paying for their student's AP exam at their local public high school by the end of October 2026.

Textbooks/Materials: The cost of new, mass market paperback editions are included in class tuition because students need clean copies for annotation and must be able to reference identical page numbering.

Supply Fee: Included

What to Bring: Students should bring the current literature, paper, pen or pencil and highlighter to class each week. Some students may wish to bring paper clips, adhesive flags or post-it notes for marking passages/pages. Students should also bring a laptop to class one day per week for in-class writing.

Credit: Homeschool families may wish to count this course as a partial credit (one quarter) or full credit (all four quarters) in English for purposes of a high school transcript.

In this introductory high school English workshop, students will be introduced to the concepts of literary genres and analytical writing. Each quarter, the class will examine one select work or genre. Students will learn to recognize figurative language, tone, subtext and diction, identify symbolism and imagery, and develop an awareness of narrative perspective and of the social-historical contexts in which these works were created. Third quarter will feature The Play Romeo and Juliet Folger Edition by Shakespeare.

Composition: Students will also learn the fundamental components of academic writing, including how to construct a thesis statement that makes an argument, how to support their ideas effectively with textual evidence, how to organize an argument logically, and how to cite sources in MLA format. Some class periods will be dedicated Writing Lab session in which students write in-class in order to get on-the-spot support and feedback from the teacher. Students should bring laptops to these class sessions.

Topics in this Series: The Novel (Quarter 1), Poetry (Quarter 2), The Play (Quarter 3), and The Epic (Quarter 4). Students who continue from one quarter to the next will receive priority registration.

Prerequisites: Students should be able to read at grade level, and it is recommended that students have had a middle school writing class.

Workload: Students should expect to spend 1-2 hours per week outside of class.

Assignments: All assignments will be posted in a Google Classroom management site. Students will need their own gmail accounts to access Google Classroom.

Assessments: Students' written assignments will be graded using a rubric and assigned points that the homeschool parent can use when assigning an overall class grade.

Textbooks/Materials: Students will use clean, inexpensive copies of each novel for annotation and must be able to reference passages using consistent page numbers. Copies of the mass market paperback edition(s) is included in the class tuition.

Supply Fee: Included
What to Bring: Students should bring the current novel, paper, pen or pencil and highlighter to class each week. Some students may wish to bring paper clips, adhesive flags or post-it notes for marking passages/pages.

Credit: Homeschool families may wish to count this course as a partial credit in English for purposes of a high school transcript. (Full credit if all 4 quarters are taken.)

In this introductory high school English workshop, students will be introduced to the concepts of literary genres and analytical writing. Each quarter, the class will examine one select work or genre. Students will learn to recognize figurative language, tone, subtext and diction, identify symbolism and imagery, and develop an awareness of narrative perspective and of the social-historical contexts in which these works were created. Third quarter will feature The Play Romeo and Juliet Folger Edition by Shakespeare.

Composition: Students will also learn the fundamental components of academic writing, including how to construct a thesis statement that makes an argument, how to support their ideas effectively with textual evidence, how to organize an argument logically, and how to cite sources in MLA format. Some class periods will be dedicated Writing Lab session in which students write in-class in order to get on-the-spot support and feedback from the teacher. Students should bring laptops to these class sessions.

Topics in this Series: The Novel (Quarter 1), Poetry (Quarter 2), The Play (Quarter 3), and The Epic (Quarter 4). Students who continue from one quarter to the next will receive priority registration.

Prerequisites: Students should be able to read at grade level, and it is recommended that students have had a middle school writing class.

Workload: Students should expect to spend 1-2 hours per week outside of class.

Assignments: All assignments will be posted in a Google Classroom management site. Students will need their own gmail accounts to access Google Classroom.

Assessments: Students' written assignments will be graded using a rubric and assigned points that the homeschool parent can use when assigning an overall class grade.

Textbooks/Materials: Students will use clean, inexpensive copies of each novel for annotation and must be able to reference passages using consistent page numbers. Copies of the mass market paperback edition(s) is included in the class tuition.

Supply Fee: Included
What to Bring: Students should bring the current novel, paper, pen or pencil and highlighter to class each week. Some students may wish to bring paper clips, adhesive flags or post-it notes for marking passages/pages.

Credit: Homeschool families may wish to count this course as a partial credit in English for purposes of a high school transcript. (Full credit if all 4 quarters are taken.)

Be part of a team! Join the Compass Collaborative newspaper staff. The staff is a mixed-age team with students from 6th to 12th grade.

Students will learn about journalism and develop writing skills. They will craft effective articles, conduct interviews, and write reviews. Each quarter, writing assignments and responsibilities will be divided based on individual interests. Students will each contribute at least 2-3 items to the Collaborative edition each quarter including articles of their chosing (book critiques, movie reviews, field trip recommendations, short fiction, poetry, comics, jokes, tc) and assigned articles about happenings at Compass.

While research and data collection will occur outside of class, a portion of staff meetings will be dedicated to writing and editing. The newspaper advisor will use these sessions to demonstrate what constitutes 'good' writing. All staff members will practice editing skills to improve grammar, punctuation, and overall clarity and accuracy in their writing. Students will be informally paired for peer review and feedback on their writing.

All students register for the same class, and roles and responsibilities will be reviewed and delegated during the first meetings. Students should expect to work on assignments outside of class and will be expected to bring a laptop, notebook, and pen/pencil to each class meeting.

Bonjour! French Foundations is an introductory class for middle school-aged students. The class will be taught in a predominantly immersion environment. Limited cues in English will be used to prompt students or explain difficult concepts. French language instruction will be presented in a natural learning sequence beginning with nouns (such as colors, numbers, clothing, foods, animals, days/dates, etc), adjectives, greetings, and simple phrases. Students will learn beginning grammatical constructions such as noun-verb agreement, noun-adjective agreement, adjective placement, and the rules of regular verb conjugation. Students will be encouraged to speak aloud and converse with classmates, but also to learn to sound out, spell, and read beginning, written French. Aspects of Francophone culture such as holidays, foods, and traditions will be incorporated in the classes.

Each quarter introduces new themes and new vocabulary in French, so continuing students can continue to build their language basics. However, themes and units are non-sequential, so students may enroll in this level in any quarter. The goal of this introductory course is to lay foundations in sounds, vocabulary, grammar, and usage while having fun and building confidence in a foreign language. Students should be at grade level in their reading. Fluency should not be expected at this level.

Bonjour and get ready for a full year French Fundamentals! French Fundamentals is a year-long class whis covers that same content and uses the same textbook as high school French I.

This level is for middle school-aged students who have taken at least two quarters of French Foundations with the instructor, but who are not yet ready to age up and attend Friday high school classes. The expectation is that middle school-aged Fundamentals students will be ready for high school French II the following school year. Registraton for Fundamentals is by semester.

The corresponding French I description follows:

French I is a conversation-focused program in which students will build their vocabulary quickly and learn essential grammar skills in French. Vocabulary will include numbers, time, dates, seasons, school, free time activities/hobbies, likes/dislikes, personal descriptions, family relationships, emotions, food/restaurants, and places/locations in town. There will be a strong emphasis on competency using regular and irregular present tense verbs and common grammar concepts such as articles, pronouns, adjectives, and comparative phrases.

Class will be conducted primarily in French and will focus on listening and speaking skills, asking and answering questions, and correct use of grammar. At home, students will be responsible for memorizing vocabulary and grammar, completing homework assignments, and watching both grammar instruction and language immersion videos.

Workload: Students should expect to spend 30-45 minutes per day, 4 days per week on homework outside of class.

Assignments: Are sent by e-mail to parents and students. Students must have access to a computer and internet service for computer-based videos and practice tools that are assigned as homework and are essential to success in the class.

Assessments: Quizzes, tests, and individual performance reviews will be given to all students at regular intervals to provide parents with sufficient feedback to assign a grade.

Textbook: Students should purchase or rent the required textbook for this class: Bien Dit!: Student Edition Level 1 2013 (French Edition) (ISBN-13 978-0547871790)

Salut! French with Friends is an introductory French class for elementary-aged students. The class will be taught in a predominantly immersion environment. Limited cues in English will be used to prompt students or explain difficult concepts. French language instruction will be presented in a natural learning sequence beginning with nouns (such as colors, numbers, clothing, foods, animals, family members, days/dates, etc), adjectives, beginning verbs, greetings, and simple phrases. Songs, games, stories, and hands-on activities will be used in class to review vocabulary and phrases. Emphasis will be on conversation, but students will be encouraged to learn to spell and sound out written French. Aspects of Francophone culture such as holidays, foods, and traditions will be incorporated in the classes.

Each quarter introduces new themes and new vocabulary in French, so continuing students can continue to build their language basics. However, themes and units are non-sequential, so students may enroll in this level in any quarter. The goal of this introductory course is to lay foundations in sounds, vocabulary, and simple phrases while having fun and building confidence in a foreign language. Fluency should not be expected at this level.

Graphic Great Novels is the class for students who think they do not like reading, and for the ones who already do. Each quarter, students read three illustrated adaptations of classic novels from the Saddleback Educational Publishing Illustrated Classics Series. Children will become familiar with timeless tales from some of the world's best-known authors- Dickens, Stevenson, Twain, Dumas, Verne, Shakespeare, and more. The format makes them approachable and genuinely fun to read. Students often leave curious about the original novels- that is the point!

Third quarter, students will discover some of the most beloved British books from the pages of Sir Arthur Conan Doyle, Mark Twain, and Jonathan Swift. Discover the super sleuth duo of Holmes and Watson through intriguing classic cases and crimes in The Adventures of Sherlock Holmes. Meet Hank Morgan, an American time-traveler who brings modern knowledge and know-how to medieval times in A Connecticut Yankee in King Arthur's Court and follow an adventurer to fantastical lands in Gulliver's Travels.

Each quarter opens with an introduction to the graphic novel format, covering panels, speech bubbles, visual pacing, and how illustrators make meaning alongside words. From there, students read about half a graphic novel per week at home (25 to 30 pages), individually or as a family. In class, students discuss the stories, analyze characters and themes, and explore other versions of the same tale through excerpts, audio, or film clips. These novels are generally considered appropriate for readers ages 8 to 12.

Students who complete all four quarters will read 12 illustrated classics-three per quarter-building their own complete illustrated classic library. Because students will need the same editions of all three graphic novels, Compass will pre-purchase the book bundles. A supply fee of $48.00 is due payable to Compass on or before the first day of class.

Topics in this series include: All Out Adventure (Quarter 1), Shakespeare Shorts (Quarter 2), Blockbuster British Books (Quarter 3), and Tragic Transformations (Quarter 4)

Great Books for Girls is a book club just for preteen girls. Each quarter, students read one high-quality novel and spend class time doing more than just discussing it. Girls act out scenes, debate character decisions, write alternate endings or origin stories, and dig into the research behind the story. Through conversation and guided activities, students begin to read more closely and notice how authors build characters, develop themes, and make choices about how to tell a story.

Each quarter, one book is the teacher's selection and a second book is chosen by the class from a short, approved list. Students read assigned chapters at home and come to class prepared to share their reflections and discuss the books. All books are selected from Newbery Medalists and Honor Books, Caldecott Medal titles, A Mighty Girl book lists, Parents' Choice Award winners, and proven classics of children's fiction.

This year's themes and teacher's choice books: Quarter1: Leadership (When You Trap a Tiger by Tae Keller, 2021 Newbery Medal); Quarter 2: Strength (One Big Open Sky by Lesa Cline-Ransome, 2025 Newbery Honor); Quarter 3: Imagination (The Last Cuentista by Donna Barba Higuera, 2023 Newbery Medal); and Quarter 4: Independence (Across So Many Seas by Ruth Behar, 2025 Newbery Honor).

Level: This class is designed for 5th and 6th graders. 4th grade students reading above grade level are welcome.

Novels: The cost of a new, mass-market paperback edition of the first book title is included in the class tuition. Parents are responsible for buying or borrowing a copy of the second book from the library, once selected.

What to Bring: Current novel, paper, pen or pencil, and a highlighter. Sticky notes or adhesive flags are helpful for marking favorite passages.

Explore the world of gargantuan gods, humble heroes, and malevolent monsters! Some ancient myths have plots that rival today's comics and blockbuster movies. Many myths still have millennia-old appeal because of their timeless tales of good versus evil, life and death, creation and the afterlife. This class explores the origins of early mythology, from the Egyptians to the Greeks, Romans, Celts, Aztecs, and more through epics, plays and poetry. Readers will explore the realm of mythology through short stories, class discussion, analyses, extension activities and projects that will boost comprehension and the understanding of myths as the basis for many other forms of modern media. Students will enjoy reading and discussing battles, romance, treachery, larger than life heroes and characters, intricate gods and goddesses, and all sorts of fantastical creatures!

Third quarter, the class will explore Gods and Goddesses, the powerful and unpredictable beings who ruled the natural world and guided human fate. As examples, students will read about Zeus and the Olympians, Athena's contest with Arachne, and Loki's punishment among the Norse gods. They will also discover stories of creation and power from around the world, including Ganesha, Ra's journey across the sky, and Quetzalcoatl the creator.

Topics in this Series include: Heroes (Quarter 1); Monsters (Quarter 2); Gods and Goddesses (Quarter 3), and Origin Tales (Quarter 4).

Our readers and writers will explore classic tales in a variety of creative, multi-media interpretations. Pulling from classic children's literature including fairy tales, fables, and favorites, such as Newberry Award medalists, the group will explore 3-4 well-known stories each quarter (generally spending 2 weeks per tale).
Third quarter will feature the tales of Excalibur (from Arthurian Legend) and Thor's Mighty Hammer.

For each story, the instructor will share a lively read-aloud of the featured story. Next, the class will watch a short clip of an animated, televised, or stage version of the same story. Finally, the group will hear a re-telling of the same story from a different angle, such as one adapted to a different theme, a different era, or a different culture.

Students will discuss what was the same and what was different among the different adaptations. Was a character added or omitted? Was the performed version true to the original? Finally, students will write and illustrate their own, original re-telling of the story by changing characters, setting, or even crafting a surprise, new ending. New Twists on Old Tales introduces some basic literary elements and rudimentary literary analysis skills to encourage children to think more deeply about what they read.

Topics in this Series: Favorite Fables (Quarter 1), Fantasy Fiction (Quarter 2), Marvelous Myths (Quarter 3), and Astonishing Adventures (Quarter 4)

Parlez-vous fun? Whether you are a seasoned francophone or simply a fan of all things French, this lively club is your passport to language, culture, and connection. Students will practice conversational French in a relaxed, welcoming setting while diving into games, short TV clips, current events, and even French cartoons. From bonjour to bon appetit, every meeting offers something new to explore.

Throughout the quarter, members will celebrate French culture and traditions, learning about holidays, customs, and everyday life across the French-speaking world. And because no French experience is complete without food, the club will head to the kitchen once or twice each quarter to prepare (and enjoy!) classic treats like crepes, madeleines, and macarons.

Come for the conversation- stay for the culture, camaraderie, and cuisine!

If your child is going to read, let's make it unforgettable. Rich stories, vivid characters, and books they actually want to open. No dry passages. No busywork. Just real literature that pulls them in and keeps them thinking long after the last page.

Strong reading and writing skills do not just matter in language arts. They drive success across every subject. This dynamic weekly reading group is built for small cohorts of 6 to 10 students working at a similar level. The setting allows kids to feel confident, appropriately challenged, and genuinely engaged. Guided by an experienced language arts teacher, students move through a literature-based curriculum that connects everything they learn.

In this class, books are the center of it all. Vocabulary grows naturally from the story. Grammar is taught in context. Writing assignments are meaningful and tied directly to characters, themes, and ideas. The result is a cohesive and immersive approach to language arts that sticks. Each week, students explore engaging texts while building critical skills such as comprehension, prediction, visualization, and verbal expression. Reading should feel like an adventure. In this class, it is.

Books covered in this level include:
Quarter 1:
- Frog & Toad Together
- Poppleton in Winter

Quarter 2:
- Henry & Mudge
- Frecklejuice

Quarter 3:
- The Stories Julian Tells
- Frindle

Quarter 4:
-How to Save an Otter (Wildlife Rescue)
-The Shrew Detective: The Case of the Pilfered Pearls

Placement: Readiness matters. Because this is a comprehensive program, students should be working at a similar level in reading, comprehension, and writing. Parents are encouraged to use results from a nationally normed assessment, such as those used for the Virginia Evidence of Progress to confirm their child's grade level equivalency.

This program is designed for students who thrive in a traditional literature-based setting. Students who are more than one year behind in language arts, or who show a significant gap between reading and writing skills, may be better supported in the Reading Ready program or through private tutoring. Students with diagnosed learning differences such as dyslexia, dysgraphia, ADHD, or language processing disorders may benefit more from the structured literacy approach offered in the Reading Ready program.

Homework: Learning continues at home in a simple, manageable way. Families receive themed activities that reinforce skills without adding stress. For many learners, Reading Rally can serve as a complete language arts program, covering reading, comprehension, writing, spelling, and grammar without the need for additional curriculum.

Supply Fee: The fee for mass market paperback copies of the class texts is included.

If your child is going to read, let's make it unforgettable. Rich stories, vivid characters, and books they actually want to open. No dry passages. No busywork. Just real literature that pulls them in and keeps them thinking long after the last page.

Strong reading and writing skills do not just matter in language arts. They drive success across every subject. This dynamic weekly reading group is built for small cohorts of 6 to 10 students working at a similar level. The setting allows kids to feel confident, appropriately challenged, and genuinely engaged. Guided by an experienced language arts teacher, students move through a literature-based curriculum that connects everything they learn.

In this class, books are the center of it all. Vocabulary grows naturally from the story. Grammar is taught in context. Writing assignments are meaningful and tied directly to characters, themes, and ideas. The result is a cohesive and immersive approach to language arts that sticks. Each week, students explore engaging texts while building critical skills such as comprehension, prediction, visualization, and verbal expression. Reading should feel like an adventure. In this class, it is.

Books covered in this level include:

Quarter 3:

• I Survived The Shark Attacks of 1916
• The Mouse and the Motorcycle

Quarter 4:

• The Miraculous Journey of Edward Tulane
• The Tale of Despereaux

Placement: Readiness matters. Because this is a comprehensive program, students should be working at a similar level in reading, comprehension, and writing. Parents are encouraged to use results from a nationally normed assessment, such as those used for the Virginia Evidence of Progress to confirm their child's grade level equivalency.

This program is designed for students who thrive in a traditional literature-based setting. Students who are more than one year behind in language arts, or who show a significant gap between reading and writing skills, may be better supported in the Reading Ready program or through private tutoring. Students with diagnosed learning differences such as dyslexia, dysgraphia, ADHD, or language processing disorders may benefit more from the structured literacy approach offered in the Reading Ready program.

Homework: Learning continues at home in a simple, manageable way. Families receive themed activities that reinforce skills without adding stress. For many learners, Reading Rally can serve as a complete language arts program, covering reading, comprehension, writing, spelling, and grammar without the need for additional curriculum.

Supply Fee: The fee for mass market paperback copies of the class texts is included.

If your child is going to read, let's make it unforgettable. Rich stories, vivid characters, and books they actually want to open. No dry passages. No busywork. Just real literature that pulls them in and keeps them thinking long after the last page.

Strong reading and writing skills do not just matter in language arts. They drive success across every subject. This dynamic weekly reading group is built for small cohorts of 6 to 10 students working at a similar level. The setting allows kids to feel confident, appropriately challenged, and genuinely engaged. Guided by an experienced language arts teacher, students move through a literature-based curriculum that connects everything they learn.

In this class, books are the center of it all. Vocabulary grows naturally from the story. Grammar is taught in context. Writing assignments are meaningful and tied directly to characters, themes, and ideas. The result is a cohesive and immersive approach to language arts that sticks. Each week, students explore engaging texts while building critical skills such as comprehension, prediction, visualization, and verbal expression. Reading should feel like an adventure. In this class, it is.

Books covered in this level include:

Quarter 3:

• I Survived The Great Chicago Fire 1871
• Restart

Quarter 4:

• Stuart Little
• The Wild Rescuers Guardians of the Taiga

Placement: Readiness matters. Because this is a comprehensive program, students should be working at a similar level in reading, comprehension, and writing. Parents are encouraged to use results from a nationally normed assessment, such as those used for the Virginia Evidence of Progress to confirm their child's grade level equivalency.

This program is designed for students who thrive in a traditional literature-based setting. Students who are more than one year behind in language arts, or who show a significant gap between reading and writing skills, may be better supported in the Reading Ready program or through private tutoring. Students with diagnosed learning differences such as dyslexia, dysgraphia, ADHD, or language processing disorders may benefit more from the structured literacy approach offered in the Reading Ready program.

Homework: Learning continues at home in a simple, manageable way. Families receive themed activities that reinforce skills without adding stress. For many learners, Reading Rally can serve as a complete language arts program, covering reading, comprehension, writing, spelling, and grammar without the need for additional curriculum.

Supply Fee: The fee for mass market paperback copies of the class texts is included.

If your child is going to read, let's make it unforgettable. Rich stories, vivid characters, and books they actually want to open. No dry passages. No busywork. Just real literature that pulls them in and keeps them thinking long after the last page.

Strong reading and writing skills do not just matter in language arts. They drive success across every subject. This dynamic weekly reading group is built for small cohorts of 6 to 10 students working at a similar level. The setting allows kids to feel confident, appropriately challenged, and genuinely engaged. Guided by an experienced language arts teacher, students move through a literature-based curriculum that connects everything they learn.

In this class, books are the center of it all. Vocabulary grows naturally from the story. Grammar is taught in context. Writing assignments are meaningful and tied directly to characters, themes, and ideas. The result is a cohesive and immersive approach to language arts that sticks. Each week, students explore engaging texts while building critical skills such as comprehension, prediction, visualization, and verbal expression. Reading should feel like an adventure. In this class, it is.

Books covered in this level include:

Quarter 3:

• I Survived the Destruction of Pompeii AD 79
• Unplugged

Quarter 4:

• Number the Stars by Lois Lowry
• SlugFest by Gordan Korman

Placement: Readiness matters. Because this is a comprehensive program, students should be working at a similar level in reading, comprehension, and writing. Parents are encouraged to use results from a nationally normed assessment, such as those used for the Virginia Evidence of Progress to confirm their child's grade level equivalency.

This program is designed for students who thrive in a traditional literature-based setting. Students who are more than one year behind in language arts, or who show a significant gap between reading and writing skills, may be better supported in the Reading Ready program or through private tutoring. Students with diagnosed learning differences such as dyslexia, dysgraphia, ADHD, or language processing disorders may benefit more from the structured literacy approach offered in the Reading Ready program.

Homework: Learning continues at home in a simple, manageable way. Families receive themed activities that reinforce skills without adding stress. For many learners, Reading Rally can serve as a complete language arts program, covering reading, comprehension, writing, spelling, and grammar without the need for additional curriculum.

Supply Fee: The fee for mass market paperback copies of the class texts is included.

If your child is going to read, let's make it unforgettable. Rich stories, vivid characters, and books they actually want to open. No dry passages. No busywork. Just real literature that pulls them in and keeps them thinking long after the last page.

Strong reading and writing skills do not just matter in language arts. They drive success across every subject. This dynamic weekly reading group is built for small cohorts of 6 to 10 students working at a similar level. The setting allows kids to feel confident, appropriately challenged, and genuinely engaged. Guided by an experienced language arts teacher, students move through a literature-based curriculum that connects everything they learn.

In this class, books are the center of it all. Vocabulary grows naturally from the story. Grammar is taught in context. Writing assignments are meaningful and tied directly to characters, themes, and ideas. The result is a cohesive and immersive approach to language arts that sticks. Each week, students explore engaging texts while building critical skills such as comprehension, prediction, visualization, and verbal expression. Reading should feel like an adventure. In this class, it is.

Books covered in this level include:

Quarter 3:

• Gathering Blue
• Black Beauty
• Island of the Blue Dolphins by Scott O'Dell

Quarter 4:

• The Hobbit

Placement: Readiness matters. Because this is a comprehensive program, students should be working at a similar level in reading, comprehension, and writing. Parents are encouraged to use results from a nationally normed assessment, such as those used for the Virginia Evidence of Progress to confirm their child's grade level equivalency.

This program is designed for students who thrive in a traditional literature-based setting. Students who are more than one year behind in language arts, or who show a significant gap between reading and writing skills, may be better supported in the Reading Ready program or through private tutoring. Students with diagnosed learning differences such as dyslexia, dysgraphia, ADHD, or language processing disorders may benefit more from the structured literacy approach offered in the Reading Ready program.

Homework: Learning continues at home in a simple, manageable way. Families receive themed activities that reinforce skills without adding stress. For many learners, Reading Rally can serve as a complete language arts program, covering reading, comprehension, writing, spelling, and grammar without the need for additional curriculum.

Supply Fee: The fee for mass market paperback copies of the class texts is included.

Students will become immersed in the imaginary worlds they construct in this unique course that encompasses elements of fiction writing, sociology, and anthropology. Worldbuilding is the foundation of speculative fiction, such as sci-fi and fantasy, role-playing games, videos, comics, and other visual media. Countless examples of Worldbuilding exist in the movies and books we consume every day such as Tolkien's Middle Earth, the many elaborate settlements of the Star Wars franchise, and the popular RPG, Dungeons and Dragons.

In this course, students will develop a fictional locale. Will it be a small village in a known place, a new planet, or an original universe? Students will be guided through an interactive, iterative process of "top-down" design of their unique world, determining broad characteristics first then then elaborating with increasing detail. Builders will make coherent and integrated decisions on geography, climate, ecology, flora, fauna, inhabitants, races, history, social customs, language, religion, origin story, powers/magic, legal system, currency, and technology. The class will read excerpts and watch clips of well-known fictional works which will provide strong examples of each of the elements.

Second semester, students will develop their own sinister subworlds and dismal depths of the Underworld. Students, along with their instructor, will develop an in-class world as an example. Students will use the lessons and exercises reviewed in class to further develop their individual world project.

Students will be expected to keep a notebook of decisions and details as they progress through designing the elements of their world. Students will have the option to purchase a discounted student subscription to World Anvil, a web-based subscription service which allows students to create maps, timelines, and other tools to organize their made-up world. Each student will be expected to make a PowerPoint presentation at the end of the semester which addresses each of the built-world elements.

Topics in this Series: Utopian Universe (Semester 1), Underworlds (Semester 2).

Prerequisites: Reading/writing at grade level.

Workload: Students should expect to spend 2 hours per week outside of class.

Assignments: Will be posted in a Google Classroom.

Assessments: The instructor will assign points for a final semester presentation and completed "Creative Sparks" which are written responses to weekly prompts. Parents may use the student's earned points versus total possible points to calculate a grade for the class.

Lab/Supply Fee: Included

Credit: Homeschool families may wish to count this course as a component (partial) credit in language arts (creative writing) for purposes of a high school transcript.

Students will become immersed in the imaginary worlds they construct in this unique course that encompasses elements of fiction writing, sociology, and anthropology. Worldbuilding is the foundation of speculative fiction, such as sci-fi and fantasy, role-playing games, videos, comics, and other visual media. Countless examples of Worldbuilding exist in the movies and books we consume every day such as Tolkien's Middle Earth, the many elaborate settlements of the Star Wars franchise, and the popular RPG, Dungeons and Dragons.

In this course, students will develop a fictional locale. Will it be a small village in a known place, a new planet, or an original universe? Students will be guided through an interactive, iterative process of "top-down" design of their unique world, determining broad characteristics first then then elaborating with increasing detail. Builders will make coherent and integrated decisions on geography, climate, ecology, flora, fauna, inhabitants, races, history, social customs, language, religion, origin story, powers/magic, legal system, currency, and technology. The class will read excerpts and watch clips of well-known fictional works which will provide strong examples of each of the elements.

Second semester, students will develop their own sinister subworlds and dismal depths of the Underworld. Students, along with their instructor, will develop an in-class world as an example. Students will use the lessons and exercises reviewed in class to further develop their individual world project.

Students will be expected to keep a notebook of decisions and details as they progress through designing the elements of their world. Students will have the option to purchase a discounted student subscription to World Anvil, a web-based subscription service which allows students to create maps, timelines, and other tools to organize their made-up world. Each student will be expected to make a PowerPoint presentation at the end of the semester which addresses each of the built-world elements.

Topics in this Series: Utopian Universe (Semester 1), Underworlds (Semester 2).

Prerequisites: Reading/writing at grade level.

Workload: Students should expect to spend 2 hours per week outside of class.

Assignments: Will be posted in a Google Classroom.

Assessments: The instructor will assign points for a final semester presentation and completed "Creative Sparks" which are written responses to weekly prompts. Parents may use the student's earned points versus total possible points to calculate a grade for the class.

Lab/Supply Fee: Included

Credit: Homeschool families may wish to count this course as a component (partial) credit in language arts (creative writing) for purposes of a high school transcript.

Writing Works because good writing is more than filling a page- it is making words matter. In this class, students will see writing as a craft that can be learned, practiced, and improved. Each week, they will read short examples of strong writing, examine one essential technique and practice it right away in their own writing. The goal is to help students become more confident, capable writers by showing them practical strategies they can use again and again.

Students will explore both creative writing (3rd quarter) and expository writing (4th quarter), learning how writing changes depending on its purpose and audience. Creative assignments will give students opportunities to develop ideas, characters, settings, description, and voice, while expository assignments will emphasize explaining information clearly, organizing ideas logically, developing a central point, and supporting it with appropriate details and examples. By moving between imaginative and informational writing, students will practice adapting their writing style to different purposes.

Strong ideas need strong mechanics to communicate them clearly. Throughout the quarters, students will work on sentence structure, paragraphing, grammar, punctuation, revising, and editing as those skills arise naturally in their writing. Rather than treating mechanics as isolated exercises, students will see how these tools make their own writing clearer and more effective. By the end of the course, every student will leave with a collection of writing that demonstrates growth in narrative, expository, persuasive, and poetic writing.

Writing Works because good writing is more than filling a page- it is making words matter. In this class, students will see writing as a craft that can be learned, practiced, and improved. Each week, they will read short examples of strong writing, examine one essential technique and practice it right away in their own writing. The goal is to help students become more confident, capable writers by showing them practical strategies they can use again and again.

Students will explore both creative writing (3rd quarter) and expository writing (4th quarter), learning how writing changes depending on its purpose and audience. Creative assignments will give students opportunities to develop ideas, characters, settings, description, and voice, while expository assignments will emphasize explaining information clearly, organizing ideas logically, developing a central point, and supporting it with appropriate details and examples. By moving between imaginative and informational writing, students will practice adapting their writing style to different purposes.

Strong ideas need strong mechanics to communicate them clearly. Throughout the quarters, students will work on sentence structure, paragraphing, grammar, punctuation, revising, and editing as those skills arise naturally in their writing. Rather than treating mechanics as isolated exercises, students will see how these tools make their own writing clearer and more effective. By the end of the course, every student will leave with a collection of writing that demonstrates growth in narrative, expository, persuasive, and poetic writing.

Write to the Point is a writing class for 7th, 8th, and 9th grade students preparing for high school composition. The class builds the fundamentals of writing through weekly assignments across a variety of formats.

Second Semester challenges students to sustain their ideas across longer, more demanding compositions. Students work on both essays and short stories, developing the craft tools specific to each form. For essays, that means building arguments, selecting evidence, and writing with clarity and conviction. For short stories, it means developing character voice, shaping narrative arc, and making intentional choices about structure. Throughout the semester, students continue building skills in grammar, revision, and editing. As in Semester 1, students choose topics relevant to their own interests, and that choice shows in the quality of the work.

Part of each session is dedicated to sharing and reviewing writing completed at home through peer editing or collaborative Google Docs. Students should bring a laptop and charging cord each week.

Topics in this series include Paragraphs and Articles (Semester 1) and Essays and Short Stories (Semester 2).

Clear writing is power, and in today's world, the students who communicate ideas precisely are the ones who succeed. "Write to Work" equips high school students with the skills to write professional emails, craft persuasive proposals, create user guides, summarize data, and explain complex ideas clearly and confidently. No matter what the student's future field, clear professional writing is essential. Colleges expect it. Employers demand it. This course moves beyond essays and creative writing to focus on real-world communication- the kind used in offices, labs, startups, and organizations every day. Students will learn to write with clarity, structure, and purpose and gain a practical skill set that sets them apart in any future field.

Second semester, students will develop the precision and clarity required for effective technical communication. The course begins by defining what technical writing is, distinguishing it from creative writing, and emphasizing audience, purpose, and precision. Students will practice writing clear instructions and detailed process explanations, then progress to structured informational and technical reports. They will learn to interpret data and translate charts and findings into clear written analysis. Practical assignments include drafting user manuals, software documentation, writing specifications, and composing product descriptions that clearly distinguish features from benefits. Students will also complete formal lab reports and research summaries, and practice adapting the same information for different audiences- from technical experts to beginners or younger readers. The semester culminates in a comprehensive project in which students create a polished technical document or documentation portfolio, demonstrating mastery of organization, clarity, accuracy, and professional presentation.

Topics in this Series: Business Writing (Semester 1), Technical Writing (Semester 2). Students continuing from first semester receive priority pre-registration for second semester.

Prerequisites: Students should be on-level for high school reading and comprehension.

Workload: Students should expect to spend 2-4 hours per week outside of class on class reading and activities.

Assessments: The instructor will award points for completed assignments that parents can use to assign a grade.

Textbook/Materials: All materials will be links to open-source materials or scans of documents provided by the instructor and posted to the class Canvas site.

Lab/Supply Fee: None

What to Bring: Notebook or paper, pen, or pencil.

Credit: Homeschool families may wish to count this course as a component (partial) credit in English for purposes of a high school transcript.

Calling all serious writers! Take your writing from draft to finished work as you focus on revision, completion, and publication. Students will strengthen their manuscripts, refine their ideas, and learn what it takes to move from a rough draft to a polished piece. How do writers know what to cut or keep? What makes a manuscript ready to submit? How do books actually get published?

Regular workshopping is a core part of the class. In this round-table setting modeled after classic writing groups like those of J.R.R. Tolkien and C.S. Lewis, students will share their work, receive thoughtful feedback, and revise with purpose and direction.

Students will also learn how to pitch to agents, navigate the publishing process, and prepare their work for print and digital formats. This class is taught by a traditionally published novelist.

Writing Works because good writing is more than filling a page- it is making words matter. In this class, students will see writing as a craft that can be learned, practiced, and improved. Each week, they will read short examples of strong writing, examine one essential technique and practice it right away in their own writing. The goal is to help students become more confident, capable writers by showing them practical strategies they can use again and again.

Second semester, students will explore both creative and expository writing, learning how writing changes depending on its purpose and audience. Creative assignments will give students opportunities to develop ideas, characters, settings, description, and voice, while expository assignments will emphasize explaining information clearly, organizing ideas logically, developing a central point, and supporting it with appropriate details and examples. By moving between imaginative and informational writing, students will practice adapting their writing style to different purposes.

Strong ideas need strong mechanics to communicate them clearly. Throughout the semester, students will work on sentence structure, paragraphing, grammar, punctuation, revising, and editing as those skills arise naturally in their writing. Rather than treating mechanics as isolated exercises, students will see how these tools make their own writing clearer and more effective. By the end of the course, every student will leave with a collection of writing that demonstrates growth in narrative, expository, persuasive, and poetic writing.